Readings

A 8-post collection

Reading #7

The Anti-Sublime Ideal in New Media
by Lev Manovich

[Visualizations] carry the promise of rendering phenomena that are beyond the scale of human senses into something that is within our reach, something visible and tangible ... This promise makes data mapping into the exact opposite of the Romantic art concerned with the sublime. In contrast, data visualisation art is concerned with the anti-sublime. If Romantic artists thought of certain phenomena and effects as un-representable, as something which goes beyond the limits of human senses and reason, data visualisation artists target the exact opposite: to map such phenomena into a representation whose scale is comparable to the scales of human perception and cognition.

Read the essay (split here into four pages).

Use the tag “R7” when you post your assessment of the readings and the questions raised.

Reading #6

Software Takes Command
by Lev Manovich

What motivated developers in the 1960s and 1970s to create the concepts and techniques that now underlie contemporary applications like Photoshop, Illustrator, and Final Cut? How do these tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a “medium” after previously media-specific tools have been simulated and extended into software?

Read the introductory chapter.

Use the tag “R6” when you post your assessment of the readings and the questions raised.

Reading #5

Subtleties of Color
by Robert Simmon

The use of color to display data is a solved problem, right? Just pick a palette from a drop-down menu (probably either a grayscale ramp or a rainbow), set start and end points, press “apply,” and you’re done. Although we all know it’s not that simple, that’s often how colors are chosen in the real world. As a result, many visualizations fail to represent the underlying data as well as they could.

Read the blog series.
And/or watch the lecture.

Use the tag “R5” when you post your assessment of the readings and the questions raised.

Reading #3

Graphesis
by Johanna Drucker

Read the final chapters:
- Interface & Interpretation
- Designing Graphic Interpretation

Use the tag “R3” when you post your assessment of the text’s message and the questions it raises.

Reading #2

Graphesis
by Johanna Drucker

Read the second chapter: Interpreting Visualization (and vice versa).

Use the tag “R2” when you post your assessment of the text’s message and the questions it raises.

Reading #1

Graphesis
by Johanna Drucker

Read the frontmatter and first chapter: Image, Interpretation, and Interface. Also consult the relevant 'plates' in the Windows section.

Pick one of the works cited in the chapter to investigate and collect some imagery and/or context to be included in your write-up. Take your pick of any books/essays/artworks mentioned in the text itself, or highlighted in the red sidebar text in the margins.

Use the tag “R1” for your post.

Course Reading List

REQUIRED READING

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production. Cambridge, MA: Harvard University Press, 2014.

Tufte, Edward. Envisioning Information. Cheshire, CT: Graphics Press, 1990.

RECOMMENDED READING

A Layered Grammar of Graphics, Hadley Wickham, Journal of Computational and Graphical Statistics, Volume 19, Number 1, Pages 3–28:
http://vita.had.co.nz/papers/layered-grammar.pdf

Graphical Perception: Theory, Experimentation, and Application to the Development of Graphical Methods. William S. Cleveland; Robert McGill. Available here:
http://info.slis.indiana.edu/~katy/S637-S11/cleveland84.pdf

Some Graphic and Semigraphic Displays, John Tukey, Statistical Papers in Honor of George W. Snedecor, pp. 293-316 (1972). Available here: http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0003v7

Lev Manovich: Software Takes Command (excerpt)
https://getit.library.nyu.edu/go/9370312?umlaut.institution=NS

Ben Fry's Media Lab thesis: Computational Information Design: http://benfry.com/phd/dissertation-110323c.pdf

Reas, C., McWilliams C., LUST. Form and Code: In Design, Art, and Architecture. New York, NY: Princeton Architectural Press, 2010.
https://getit.library.nyu.edu/go/9370313?umlaut.institution=NS